{"id":3562,"date":"2023-11-05T15:28:32","date_gmt":"2023-11-05T14:28:32","guid":{"rendered":"https:\/\/www.broehan-museum.de\/en\/?p=3562"},"modified":"2025-11-03T10:04:30","modified_gmt":"2025-11-03T09:04:30","slug":"art-is-design-posters-by-almir-mavignier","status":"publish","type":"post","link":"https:\/\/www.broehan-museum.de\/en\/exhibition\/art-is-design-posters-by-almir-mavignier\/","title":{"rendered":"Art is design! Posters by Almir Mavignier. Blackbox #16"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Almir Mavignier is one of Brazil&#8217;s first abstract artists and would have been 100 years old in 2025. Since the 1950s, he has achieved international renown as a representative of Concrete Art, in particular Op Art, and as a poster designer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lettering &#8211; otherwise a central element of poster design &#8211; often seems to be missing in his designs. It only becomes visible on closer inspection. Mavignier assumed that once a poster had captivated the viewer, they would be prepared to search for further information.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mavignier&#8217;s posters are advertising and artistic intervention in one. Influenced by the Ulm School, Concrete Art and the international avant-garde, they aim to make the achievements of modernism accessible to a broad public. For Mavignier, design was the answer to the question of the relevance of art &#8211; because it has an impact, is visible and connects with the world. He was convinced: \u201cArt is design, it&#8217;s as simple as that\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Design: Gerwin Schmidt, 2025<\/em><\/p>\n\n\n<div class=\"spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Program for the Exhibition.<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Opening of the exhibition<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Wednesday, 30.07., from 6 p.m. , free admission!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Digital Curator Tour<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">On Monday, September 8th, 4:00 PM, live tour on Instagram @broehan_museum<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Watch it now on <a href=\"https:\/\/www.instagram.com\/p\/DOWDv94iC1o\/\" data-type=\"link\" data-id=\"https:\/\/www.instagram.com\/p\/DOWDv94iC1o\/\">Instagram <\/a>and <a href=\"https:\/\/www.youtube.com\/watch?v=TuoU-dGp4yA\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=TuoU-dGp4yA\">Youtube<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>permutationen 1961 \/ 2025 \u2013 Art Talk und Concert<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1961, Almir Mavignier developed 48 color progressions, which he called \u201cpermutations\u201d and later incorporated into his paintings. In 2025, Janosch Pangritz set these series to music on behalf of Atelier Mavignier &#8211; they will be presented for the first time in a concert as part of the exhibition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A moderated talk between Manuel Abendroth (member of the artist group LAb[au]), Dr. Tobias Hoffmann (Director Br\u00f6han Museum), Delmar Mavignier (Atelier Mavignier) and Janosch Pangritz (composer) will focus on the connection between graphics and music as well as the relevance of Mavignier&#8217;s work today.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thu, 11.09., 6 pm<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The event is free of charge.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prior registration is not required.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Almir Mavignier is one of Brazil&#8217;s first abstract artists and would have been 100 years old in 2025. Since the 1950s, he has achieved international renown as a representative of Concrete Art, in particular Op Art, and as a poster designer. Lettering &#8211; otherwise a central element of poster design<span>&#8230;<\/span><\/p>\n","protected":false},"author":3,"featured_media":3606,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/3562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/comments?post=3562"}],"version-history":[{"count":8,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/3562\/revisions"}],"predecessor-version":[{"id":3650,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/3562\/revisions\/3650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/media\/3606"}],"wp:attachment":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/media?parent=3562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/categories?post=3562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/tags?post=3562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}