{"id":327,"date":"2016-09-09T11:33:59","date_gmt":"2016-09-09T09:33:59","guid":{"rendered":"https:\/\/www.broehan-museum.de\/en\/?p=327"},"modified":"2025-02-20T11:39:26","modified_gmt":"2025-02-20T10:39:26","slug":"martin-brandenburg-and-hans-baluschek-a-friendship-of-two-artists","status":"publish","type":"post","link":"https:\/\/www.broehan-museum.de\/en\/exhibition\/martin-brandenburg-and-hans-baluschek-a-friendship-of-two-artists\/","title":{"rendered":"Martin Brandenburg and Hans Baluschek &#8211; A friendship of two artists"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The exhibition looks at an unusual friendship between two Berlin artists during the early 20<sup>th<\/sup>\n century. Martin Brandenburg and Hans Baluschek both rejected the \ntraditional rules of academic painting and were early members of the \nBerlin Secession. But as close as the artists might have been to one \nanother in private life, in their painting they took very distinct \npaths. While Baluscheck often drew attention with impressive scenes \nshowing everyday and workday worlds and the impact of industrialization,\n Brandenburg retreated to the world of the fantastic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition at Br\u00f6han Museum with around 30 works presents not only two unusual artists from early Berlin modernism, but two seemingly contrary views of art: while Baluschek\u2019s realism reacts directly to the life reality around him and seeks to actively shape it, Brandenburg\u2019s symbolism stands in the service of a psychological-sensual exploration of his surroundings.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition looks at an unusual friendship between two Berlin artists during the early 20th century. Martin Brandenburg and Hans Baluschek both rejected the traditional rules of academic painting and were early members of the Berlin Secession. But as close as the artists might have been to one another in<span>&#8230;<\/span><\/p>\n","protected":false},"author":3,"featured_media":269,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition"],"_links":{"self":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":2,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/327\/revisions"}],"predecessor-version":[{"id":3302,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/posts\/327\/revisions\/3302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/media\/269"}],"wp:attachment":[{"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/media?parent=327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/categories?post=327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.broehan-museum.de\/en\/wp-json\/wp\/v2\/tags?post=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}